Chanel returned to Paris in 1953 to find the Paris fashion scene obsessed with Christian Dior and the very feminine look for which he alone is given credit, the "New Look." Coco Chanel responded brilliantly to the challenge; she recognized that the couture market had changed and she needed to catch-up. Becoming competitive again would necessarily come at a great price; Chanel needed to be a significant presence in: haute couture, pret-a-porter, costume jewelry and fragrance. Coco swallowed her pride and re-approached Pierre for business advice and financial backing. In return, he negotiated for himself complete rights to all products bearing the brand: "Chanel." But their re-kindled collaboration paid off handsomely as Chanel, with her unerring sense of style, once again became the single, most prestigious label in all of fashion. Importantly for the brand and starting in 1953, Coco collaborated with jeweler Robert Goossens to design a line of Chanel jewelry which exquisitely complimented her iconic fashion designs. For example, she paired her re-launched signature "Chanel Suit" (consisting of a knitted wool cardigan with a matching skirt) with long strings of black and white pearls, setting off the suit wonderfully while at the same time adding to it a degree of femininity, thus lightening a sometimes severe look."
She also introduced the Chanel gold or metallic chain-strapped and quilted leather handbags in February 1955. The launch date for this line, 2/55, thus became the internal "appellation" for the quilted bag line. It is still known throughout the world as the "2/55" bag and it, just like the "Chanel Suit" has never really ever fallen out of fashion. Throughout the fifties, her taste continued its unerring path to success, even as she turned to new areas of conquest. Her first venture into men's fragrance became yet another enduring success, Chanel's eau de toilette for men, Pour Monsieur (which has also been marketed under the name: "A Gentleman's Cologne") became, endured and remains even today the number one selling men's fragrance. Chanel and her spring collection received the Fashion Oscar at the 1957 Fashion Awards in Dallas. Pierre Wertheimer bought Bader's 20% share of the perfume business, giving his family 90%. Pierre's son Jacques Wertheimer took his father's place in 1965. Coco's attorney Chambrun called the now-gone-relationship as "one based on a businessman's passion, despite her misplaced feelings of exploitation." He told Forbes, "Pierre returned to Paris full of pride and excitement [after one of his horses won the 1956 English Derby]. He rushed to Coco, expecting congratulations and praise. But she refused to kiss him. She resented him, you see, all her life."
Gabrielle "Coco" Chanel died on 10 January 1971 at the age of 87. She was still "designing, still working" at the time of her death. For example, she designed the uniforms for Olympic Airways flight attendants (1966–1969), followed by Pierre Cardin. Olympic Airways was then one of the most luxurious air carriers, owned by the Greek shipping-magnate Aristotle Onassis. After her death, leadership of the company was handed down to Yvonne Dudel, Jean Cazaubon and Philippe Guibourge.After a period of time, Jacques Wertheimer bought the entire House of Chanel. Critics stated that during his leadership, he never paid much attention to the company, as he was more interested in horse breeding. In 1974, the House of Chanel launched Cristalle eau de toilette, which was designed when Coco Chanel was alive. 1978 saw the launch of the first non-couture, prêt-à-porter line and worldwide distribution of accessories.
Alain Wertheimer, Jacques's son, took over in 1974. Back in the U.S., Chanel No.5 was seen as a passe perfume. Alain revamped Chanel No.5 sales by reducing the number of outlets carrying the fragrance from 18,000 to 12,000. He removed the perfume from drugstore shelves, and invested millions of dollars in advertisement for Chanel cosmetics. This ensured a greater sense of scarcity and exclusivity for No.5, and sales rocketed back up as demand for the fragrance increased. He also used many famous people to endorse the perfume—from Marilyn Monroe to Audrey Tautou. Looking for a designer who could bring the label to new heights, he persuaded Karl Lagerfeld to end his contract with fashion house Chloé.
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